About 'colorado state university employment'|Census 2002 Colorado
Matthew 10:6 The Legend of PrAir Time The idea was simple: animated :30 TV commercials containing Bible and prayer messages, to run on mainstream channels, during mainstream programs. Underwritten by church-goers. The adversity we faced was indescribable. January, 2001. I had just been wrongfully terminated by the Los Angeles Daily News' Classified Ads division. Those who broke laws in the wake of my part-time job's ending in December 2001, would soon be out of work themselves. The HR lady was let go a few months later. The sales manager was fired a few months after that. The publisher was fired shortly after that. I had been a top-earner on a newspaper that had a partnership with a Colorado-based TV program called Employment TV that, in its simplicity, read the Want Ads on the air. It was one of the most boring shows I had ever seen, and it seemed to do well enough to air for three seasons. I sat at home and prayed for my next job. The unemployment insurance rep I spoke to stated I did not have enough earnings to qualify. I was in a tough spot. Even my roommates were violating California subletting laws when they learned I lost my job. The fact is, in advertising, online automation and pay-per-click ad models were making the telephone or in-person ad rep a dying profession. "Lord," I prayed, "Show me how to make a living by praying for people." Now, back then, cable companies ruled television. Web sites had not really become the interactive cyber dimension they are now, much less what they will be in five and ten years. Social networking sites have become a genre all their own. Before Facebook, Twitter, or any of the current message distribution tools we have now, to get a message into the mainstream media, one had to go through the arrogant sales reps at the cable company, or an ad agency that had an account with them, whose reps were just as arrogant. I imagined a :30 animated TV ad, just words, conveying a Biblical message, with a specific verse or two as its theme, using humor or Godly wisdom to connect to viewers, appearing on commercial breaks throughout the cable TV and free broadcast channels. Having worked in the ad industry, I knew that prices fluctuated per-spot depending on how much time had been sold, in relation to the deadlines for programming locks. Most control rooms programmed content within two-week time frames, with a few exceptions. ESPN, which ran looped programs over four-hours increments, operated as a separate venue than most of the other traffic. The original idea was to pre-pay for any spots that went unsold, at a discount. It took two years to establish the rules of engagement. There was a myth among protestant churches that broadcasters would not take money for the airing of Biblical content. The body language I encountered from advertising sales managers was, abiding by FCC regulations, money talks, dispelling the myth. As for public service announcements, which non-pay network affiliates were required by law to run for free, there was a filtering system designed to make this difficult to do. For example, the Southern California Broadcasters Association had its own membership requirements, and to get a PSA submitted, much less run, on any California network affiliate, one had to get an ID number from them. The only way to get such a number was to have a 501 c3 tax ID number. In 2003, I asked the pastor of the church I attended to underwrite this process with the church's ID. Pastor Rob McCoy wanted to. But the board, at that time, stood in opposition, primarily over a separate business dispute involving one of the board members whose credit card processing company had breached its contract with PrAir Time. Instead of getting the church into a potential lawsuit, the pastor chose not to push it when the board said no. I forged on, learning all my options, determined to both put prayer on television, and thumb by nose of success in several individual's faces. The staff of Santa Monica, California's Metro Church, pastored by Steve Snook, including the pastor who married my wife and I, expressed such jealousy over this, that they openly slandered it. Ironically, one staff member who was also trying to produce TV through the West Los Angeles public access TV station, wanted to use the ads in his shows. Formatting was an ongoing nightmare, unresolved until every network went digital, spearheaded by companies like DG FastChannel, with whom I had opened an account. Tapes were replaced by video uploads. Today, Google TV offers an automated template. This was my idea in 2001, for church leaders to take up offerings to underwrite the cost of the ads, and have them run during such major commercial events as the Super Bowl, MLB play offs, and CBS' March Madness. I imagined Greg Gumbel's script having him read off the teleprompter in New York, "Welcome back to 'PrAir Time at The Half'," instead of Cingular/AT&T At The Half, showing the spending power of the Church, using television as a venue for community prayer. PrAir Time was born. Thirty-second TV ads would gain the curiosity, but never the respect of the Church. In 2001, I attended a church in Los Angeles that had poor leadership. Conflict over spiritual views and scriptural interpretation led to many of those leaders leaving the ministry. I was accused of not loving the Church enough. They equated any objection to their administrative negligence to spiritual rebellion. I loved the Church more than words could say. It was these arrogant, mean-spirited men an women I wasn't crazy about. Single men are targets for wrongdoing and inappropriate behavior in the Church, no matter how ridiculous or fictional gossip is. Good Church leaders wait out the storms as fellowships gel, and refer to the Word when necessary. God is very good at being God. When men try to evoke His authority for their own purposes, it blows up in their faces when they will does not match His. PrAir Time was partially born out of my personal conflict with men whose political relationships with the Church and with the Hollywood agent system proved to be more valuable to them than serving Him. I attended a Bible study in Burbank, California with a group of movie makers, and I had challenged them in regards to the technical and theological standards that were being used. This offended them, for as far as they were concerned, the political relationships between their agents and business affiliates were of greater priority than the quality of products they were making. Among those who attended this private Bible study were freelance editor Ron Romberger, producer-screenwriter and editorialist Rick Bonn, professor Thom Parham of Azusa University, actor-reality show editor and Star Wars groupie Marc Elmer, producer Coleman Luck III, whose father had produced The Equalizer, and a couple other post production techs whose quest for work was running on fumes. I got along better with the non-entertainment attendees. The conflict really arose from two incidents. Some Christian leaders hold themselves above accountability, and in their social-political environment, one must 'earn' the right to address their administrative flaws. If there is an elephant in the room, one must first ask permission to merely acknowledge it or face rejection. I was at that time, a bachelor attending, or trying to attend, Christian Assembly church in Eagle Rock. Talk about arrogant. The church lives on the success of musician Tommy Walker. The pastor in charge of the Singles ministry was named Jim Denison. I had written a book that challenged Christian artists to raise the standard of their work and become less reliant on the Hollywood agent system. My book spoke in rebuke of the cash flow allotted to the church and its partnering fame-driven ministries and givers, and was therefore relegated as heresy. Later I would learn this about the Church of this Age: when you want to learn Man's motives, follow the money. I was trying to get Witness Protection done, while attending this church. There was money there, but none of it was flowing in my direction. Over Halloween, 2000, I attended a church party at a private home where the bachelorette whose family hosted the event was very, very flirtatious. Being a single Christian, I considered her a possible courtee. But so did one of the other young men who also attended, whom she had grown up with. The following Monday at work, I got a call from pastor Jim. He accused me of being inappropriate with this young woman, and advised me to 'cool it'. Since I had observed sexual harassment from many of the guys in the worship band, whom he held in high regard, he didn't take kindly to me defending myself. Again, he articulated that I no right to defend myself. The gal was attracted to me, harassed by her peers, and lied to avoid accountability. Pastor Jim had also admitted dropping the administrative ball in regards to the Singles ministry as a whole, which I articulated in a letter to him, spelling out why I had left for a few months prior to a rough arrival back in the previous August. He demanded I formally apologize in writing, and show sincere outward repentance before my attendance at the single-women filled Christian Assembly night was allowed again. When I first showed up to the church, referred by a friend, the doors were locked. It turns out the church went on vacation for the week I arrived. I voiced my concerns to the senior pastor by mail. Apparently that got him in trouble. He didn't want to admit being remotely in error, so I called my accountability in Arizona to vouch for my character. That didn't work either. Despite having the future best man at my wedding vouch for me, Pastor Jim was determined to make my knees bow before him, claiming obscure Scripture passages out of context. It was unscriptural manipulation, and he went so far as to tell other department, such as the kids ministry, pleading for college aged volunteers, to stone-wall me. The guy wouldn't budge. I caused waves and therefore had to 'repent'. I told him which direction hell was and how to get there. He was eventually fired from that church. At that time, I had attempted to get my film finished and inquired with a company where an executive who produced such films as The Joy Riders and The Note was located. I learned that in the case of short-lived Providence Entertainment, run by Cindy Bond, there was little difference between them and Hollywood. Rick Bonn had worked for Cindy Bond and had nothing good to say about her. Coleman Luck III was afraid my criticism of her role as a producer would somehow put his relationship with his agent in jeopardy, and demanded I recant. I was very hurt by church leaders and the betrayal of brothers in the Lord. One day in early 2003, just after service ended at Metro Church of Santa Monica, I tried to say hello to Ron Romberger. He was very protective of his professional relationship with his agent, which over time, resulted in little-to-no work for him. But he didn't miss the chance to tell me off. "You're full of hate, Cory," he said with hate in his voice, "I don't need it, and I don't want to feed it." Yes, the editor of HBO's First Look: Gladiator had chosen to categorize a Braveheart-like call to raise the standards of our filmmaking for Christ, as hate. I hated the laziness and deceptiveness by Believers in the process of producing Bible movies. He was trying to make a living in the Don't Rock The Boat camp that existed in Burbank, California in the early 21st century. Ron went on to editor for reality series American Chopper, which seemed to fit, for he looked like the actors in the show. Still, attending the same church, it was painful to know that the call to raise our standards had been rejected. During worship, these people would raise their hands and in the most animated pentecostal way they could, praise God out of one side of their mouths, then use the post-church fellowship as a time to network for industry jobs, some in porn. They talked the talk of Christianese to give their careers an edge. It was sickening to watch. Furthermore, my motivates for filmmaking were totally different than these men I had attended a Bible study with. I saw movie making as a means to share the Gospel. Ron confessed that for him, the work was work, purely motivated by money. His witness to me died as his words hit the ground, in the parking lot outside the same Hamburger Hamlet where George Lucas had incurred an onslaught of insults from Brian DePalma over a private test screening of Star Wars decades before. I was being told by several of the most underemployed production workers in the industry that my refusal to compromise to the lowest common denominator of the Hollywood Agent System was a sign of the need for deliverance from demonic possession. That is unscriptural. During one Bible study in 2001, I was trying to make a point and professor Thom Parham rudely shushed me as if I were one of his undergraduate students. Thom had worked briefly as a story editor on Touched By An Angel, and had written a few unproduced screenplays. Yet his college degree qualified him to be university faculty. He was about as in-the-world without being of-the-world of entertainment as one could get. His weekly prayer requests were laments about female coeds whom he wanted to have families with. He was a Trekkie in his 40's when I met him. He also used the race card when ever it suited him. Upon the shush, I lost respect for him. I didn't hesitate to address the rudeness of his inappropriate shush, and he cowardly hid behind the other guys in what translated into a "suspension" from the Bible study. Cole's short-lived marriage was about to be annulled, so there was tremendous tension among us, minus Thom's controlling shush. I was given an ultimatum, therapy or else. The irony made me laugh. I had just met my future wife, and been hailed at these Bible studies as its next leader, by Cole. The group shared a tearful foot-washing ceremony, reenacting the evening Jesus had with His disciples. I had wounds yet unresolved from the church I had come from in Tucson, Grace The The Nations, a.k.a. Grace Chapel, where I first experienced bigotry. My primary request when I arrived at Christian Assembly, which whom this group was close-knit with, I asked for just one pastor to talk to. Apparently that was like asking for free health care. So, when I attended the sessions, I learned a few Christian meditation techniques, and the counselor and I came to a mutual conclusion: these guys were manipulative bastards and the counselor wanted no part in it. The counselor and I got along well, and I invited him to my wedding. I never saw any of those men again. Cole went on to cast his buddy Marc, in a minor role in Six: The Mark Unleashed. Their goal was to make a trilogy of Six movies, tricking Satanic worshiper-movie fans to rent the Christian trilogy. Their marketing strategy failed to get the second film made; the first got bad reviews. I wanted to used PrAir Time as a baseball bat, and hit these judgmental (expletives) in their respective guts. It was not the best motivation, and it was not of God. However, God did bless what was produced. The ads themselves were good enough to earn the donated creative rights by the band Apologetix, whose vast library proved to be enough to give them the edge and humor they needed. By 2003, I had pitched PrAir Time to so many people, it consumed me like a mistress would. I had gained one pastoral endorsement, but it seemed like nothing was attracting cash flow to it. I had gotten married in 2002, and my wife's salary was being used to underwrite both PrAir Time, and another financial drain, my film Witness Protection. In 2004, I had shared the vision of PrAir Time with a friend who had been successful at selling live performance DJ events in two states. Together, we pitched the idea to some of his wealthier friends, and I thought the start-up funding to make PrAir Time the next Promise Keepers was just a matter of time. Just before Youtube.com launched, online video venues were rare, and pagers will still being sold in stores. I had this crazy idea of having an online video menu of prayer ads, much like the assorted Hallmark cards one finds in their stores, but programmed such that a user could select one, customize it and either donate money to have it run on television, or license it for personal use. The iPhone, and all its video networking capabilities was five years away. PrAir Time had always served two main functions: prayer on television and be a fundraising tool for Christian media. Imagine the peace and order that could be injected into American culture if TV commercials included prayers. The supernatural power of that concept both inspired people and offended some. Prayer was considered too sacred for TV, except when being read aloud by the folks on TBN. Lenders that financed movies did so based on two criteria: cash flow and collateral. Los Angeles was full of artists who had one, or the other, or neither. I was convinced that prayer-on-television would play a role in the future of filmmaking. Advertising revenue is to the entertainment industry what oil is to the auto industry. If the Church collectively adopted PrAir Time as a mutual muscle one could flex to be heard in the media, it would send a message to all the networks: respect the Bible and the money will follow. Before the release of The Passion of The Christ, it was the common attitude that shows like X-Files went out of their way to portray all Christians in general as cult-like psychos. That didn't reflect the character or heart of those I fellowshipped with, and I wanted to create a tool which which the otherwise whiney, legalistic and unpleasable Believers I had come to know in various church families, could exercise their right to be heard by the CEOs of all the major media companies. There were just a few assumptions I made without doing enough market research. First, I assumed that if such a tool was available to Christians, that they would flock to it like those who buy Star Wars movie tickets on opening weekend. Second, I assumed that the formatting and media venues as they existed in 2002 would remain as they were for a while. I was wrong on both counts. Third, I thought a larger entity, whether a church or a parachurch organization, would provide a covering that would attract corporate sponsors and eventually lead to bigger funding, thus fulfilling what PrAir Time was intended to do: provide the funding for feature films. I wanted to be the George Lucas of Christian movie making. Allow me to change that slightly. I wanted to be George Lucas, in the cinematic style of Harrison Ford, enjoying the box office results of May 30th, 1977, when 20th Century Fox was shocked to learn his film had broken 37 of 40 house records, and anyone who had ever criticized Lucas was made to look like a fool. It was seeking revenge against everyone from industry peers at the bottom, to high school classmates, with varying degrees of offense; to my parents, one deceased. My motives were not totally of God. Don't get me wrong: I truly wanted to see community prayer on television. My wife called me on it daily. And nightly. And at lunch. And every time I tried to sell her on the idea that PrAir Time would be the next iLife. Note the unique spelling. Others noted how cool the idea was, but not enough to write a check. PrAir Time took in less than $150 donations in 8 years. Over time, everything I didn't know would hurt me, having engaged in this endeavor without a refined business plan. The Scripture says, "If God is for us, who can stand against us?" God doesn't need gimmicks. He doesn't need special effects. He doesn't need me to reach people. Ministry is a privilege and until we get that, I think He allows us to stumble over our own agendas. Make no mistake, my biggest obstacles were other people who decided to either stumble me or ignore me over their own agendas and priorities. I learned quickly that web masters were both arrogant and broke. Software was becoming cheaper and more accessible, and their industry was becoming less and less reliant on a once-select few computer programmers. I then learned not to trust any accountant blindly. The first time PrAir Time was established as a corporation, it was a wreck. Laws were broken and money went unaccounted for. All I had to show for it was a few orphaned video ads and a bad web site. Before I decided to go back to college in 2007, and complete my bachelor's degree, there was a moment which proved to be pivotal in my life, but it would neither break me nor make me. God alone does that. In 2003, I had the idea of producing a show called Slightly Famous, combining the allure of America's Funniest Home Videos with the donating power of the online audience. The show was a combination of The Gong Show and Youtube, again, shortly before Youtube debuted. Since L.A. is full of people with movie pitches and ideas, the concept was to make a show about movie pitches and allow viewers to donate money to ideas they liked in the effort to get the ideas developed or made. My then partner, Chris Dunn of an Arizona-based mobile DJ company that bore his name, (whose then-spouse did the accounting), made two calls and used words that would forever change our lives. To me, he said, "Let me hire a friend of mine who produces video, as a favor for me. He'd be working for free." I agreed. Little did I know that he used the same words to the video contractor. That is, working on the project was a favor to him. I had previously stated that we needed to pay everyone. Volunteers were trouble. Student interns were at least working for credit. Just before shooting our pilot, we went to lunch. I had been living next door to Panavision's Woodland Hills labs and I had worked at Universal Studios, wearing a director's neckband around my collar. I talked about the low quality of shows I had not liked, and expressed my desire to make them better, and having an impact on the Christian retail industry worldwide, including what existed in Tucson. In a later email to the video producer, I spoke of the bad customer service experience I had at Gospel Supplies of Tucson, dealing directly with its then-owner-operator, Winston Maddox, Jr., who tried to illegally overcharge me for a CD in 1998. I criticized the decor of the store, and how behind in the technology and products that were being offered at retail venues such as WalMart, for less. Gospel Supplies had recently put a rival video store on the same strip mall out of business. Now that their profits were dipping, such criticisms, especially from a middle-class suburbanite such as me, were intolerable. The video producer revealed very defensively that his family owned that store and all decorations were customized by his father and sister. When Chris Dunn approached this store owners to market bookmarks promoting PrAir time at his three stores, he was met with, "Cory Parella hurt me more than anyone else I have ever known." A year later, an accountant stole $100,000 from him, and a newspaper quoted him stating that the much-necessary retail face lift of the store and its inventory was inspired by the Holy Spirit. My experience is that where the money flows, the arrogance of men is heightened. Meanwhile, the business Chris Dunn was referred to by Winston Maddox Jr., the former president of the National Christian Retailers Association and co-senior pastor of Tucson's Catalina Foothills Church, which boasted of celebrity attendees, was apparently too much to risk to side with righteousness. He canceled a national interview that was scheduled through his brother, Patrick Dunn, then working for Focus On The Family. That interview would have given PrAir Time an international platform. Chris tried to broker a reconciliation. Apparently an apology was beneath the Maddox family. They were, after all, rich, Tucson-rich. Chris called his brother and canceled the interview. I would later learn in my business law class that I could have sued him. He would later lose his business and his wife in a divorce. God knows how to be God. Gospel Supplies changed ownership and diminished in value among those it had once been a primary supplier to. Amazon.com was able to meet the needs of buyers faster and cheaper, and without the wannabe-Christian attitude. I went on to learn that the only one other than myself who had my best interests in mind was God, for every deal and business association I encountered within the scope of my faith ended badly. There are people who do not take the time to learn how to do business such that in incurs more business, and many of them are Believers. From credit card processors to accounting to registered agency, to web site management, to legal agency to conduct business, I took the scars from my life experiences and invested them into a four-year degree, resulting in a Bachelor's Degree in Liberal Arts/Journalism and a Minor in Business. I had also learned how nonprofits operated, and how TV commercials, both for-profit and nonprofit, got on the air. The fact is, if there is a way for PrAir Time to appeal to underwriters, individuals or companies, to run as it was intended, I haven't found it. No business model I have learned about supports it except one. If Focus On The Family or an agency with as much media savvy and clout were to put hundreds of millions of dollars and their name behind PrAir Time, it would in fact become the Next Big Thing. And they almost did. In 2003, my wife and I visited Colorado Springs where my sisters lived. One worked for Focus and one lived with a boyfriend who, sadly was quietly committing sexual assault with her daughter. It would takes years or the law to catch up with him. In the meantime, we had a terrible vacation, as I scouted out locations in Colorado, specifically Denver, where I believed God was calling us to establish His movie studio system, based in Downtown. Gossip between my sisters resulted in Focus On The Family intervening. Apparently my sister did not want anyone to read our emails, for she used a work account to curse me out. Focus heard of that family issue and Patrick Dunn's third-party story, and suddenly, a pastor who had endorsed PrAir Time where we were still residing in Ventura County said to me in a less than flattering way, "They have a file on you," making Focus sound like the FBI. True, they did. By 2007, My sister was terminated from Focus. She lost her house 3 years later. The pastor realizes his error a year later and apologized to me. We were formally blessed-out by the church as we prepared to leave California for Colorado in late July, 2006. My wife put in her final 3 or 8 years of teaching in a northern Colorado public high school, and we had 3 kids by 2010. I graduated in May of 2011 after 20 years of effort. We'll come back to all that. The Hand of God did move. In 2006, we packed out last box and moved east to a suburban farming community called Brighton, northeast of Denver. The snow was colder than we expected, even the locals were frost bitten by that year's weather. The church fellowship we sought was absent despite my incurable enthusiasm. I knew I belonged in Colorado. Just before moving, I met Beverlee Dean in person and Frank Rossi, by phone. Mrs. Dean had been an A-list talent manager in Beverly Hills whose clients included Jim Caviezel, Reese Witherspoon, Tara Reid, Jessica Beil, and more. The goal was to get Mel Gibson to appear as the Apostle Paul in my feature film project Justin Time, which had just won a regional film festival award in 2004. Through her, I met Frank Rossi, whom I had known from watching White Men Can't Jump hundreds of times. My own film, Witness Protection was very much derived from that film. The goal was to use an acting workshop to launch PrAir Time. We had started attending Northern Hills Christian Church, and I was dying for a pick-up basketball game. I had impulsively name-dropped to a local musician who worked for that church as a contract pastor, and I was both invited to play in a private pick-up game, and offered web design and marketing services by a local designer. There I met David Powers and his business partner Luke Bodley, who agreed to produce a web site for PrAir Time's acting workshop. A few days later, I learned that my attempts to secure the church location as the event venue had been interfered with by Powers, and my troubles with their church's fellowship-forming program known as 'Life Groups' had resulted in us being unwelcome there. Apparently the church staff desired people who came, quietly received what was offered and left, after throwing money into the collection bags. I didn't operate that way. I expected yeses to be yeses and no's to be no's. But, apparently the church's elders and board had engaged in a hostile take over that won the resignation of their founding senior pastor, and certain members were jockeying for power. I left wounded, without a church fellowship, embarrassed to the agent who had agreed to fly out, and in debt per a business loan I took out to cover start-up costs. The web-building/marketing team that breached a contract with me went on to produce Heaven Fest. I tried to put TV ads on Comcast cable channels myself, but despite my best efforts, not a single donation came in to cover the costs. My long time accountability in the Lord, a pastor in Tucson who knew me since I converted to Christianity in 1998, also failed to win an audience of supporters among those in his own church. It has been said that in art, timing is everything. We were ahead of the curve too much, and the business plan was incomplete. Today, I sense PrAir Time could be functional, if not profitable. But how, and where, I don't know. I chose to complete my degree and by the Hand of God, 3-time Oscar winner Bobby Moresco visited my alma mater, Colorado State University in 2010. Through that seminar, I gained perspective. Upon receiving screenplay analysis from industry experts, all said the same thing: novelize your screenplays. I had been advised by friends and family for years to write novels. My image of a novelist had been of a bald man with bad teeth, smoking a pipe, wearing a turtle-neck shirt, having just stepped out of an Irish Spring soap commercial. But, if one person calls you a horse, you can ignore it. Another, ignore them too. Dozens of people call you a horse, consider buying a saddle. Novelization became the new focus. Now, as my kids learn how to read, they see their dad working as a freelance writers whose work shows up on eHow.com and Answerbag.com, and other venues. My novels hit retailers in February 2011. Createspace.com provides low cost or free self-publishing for anyone willing to put in the work. A lot of people parading themselves as agents or high-cost self-publishing companies have been quenched by this service. As my marriage continues on, and we finally found a church that fits us, I have everything to look forward to. Will PrAir Time ever get used by anyone? Eventually. I'll license it. I took a class in that. (smile) |
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